Big Afternoon, 2008. oil on panel 7 x 8People often ask me how I come up with my titles for my work. And to be honest I sometimes wonder where the names come from because often the works seems to name themselves.
I have done, well, let's just say a lot of paintings and drawings of the San Joaquin Valley. I used to have titles like Flying Over the Valley, Flying Over the Valley II, Flying Over the Valley III, Flying Over the Valley VI. You get the point. I thought the names were just fine since its about the work, not the title. But when I first met my wife she told me that my titles were so boring that I couldn't help but improve them dramatically if I just used a little imagination. She encouraged me to use the working titles that I usually came up with when creating a piece. I had always felt that they were not serious enough to use as finished titles, and maybe gave too much away in terms of what I was thinking when I was making the painting. I soon realized it didn't really matter and it became fun to be more creative with my titles.
Titles sometimes come before I start a painting and the work is built around that title. Other times they come to me as I am working on a piece. If you came to my studio you would see titles graffitied all over the walls because they come to me at odd times. I never know where a good title will come from: the paper, a magazine, a book, a movie, the radio, or a conversation. I have learned to always have my ears open.
You would think that I would run out of titles for at some point, but I doubt it. As you can see I'm still "flying over the valley".
